The publication of Regina Celi completes the cycle of four votive antiphons based on the traditional chants of compline' in which the composer Bayan Northcott has imaginatively recreated many of the techniques of medieval and Renaissance music in the context of a contemporary vocal ensemble' Whether performed by mezzo soprano' three tenors and baritone or full choir the cumulative effect is of a powerful distillation of the chant to a serene conclusion'

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