One of the best-loved trumpet concertos today is actually a horn concerto: Neruda composed it in about 1750 at the Dresden Court, where he met the greatest horn virtuosos of the day. As a result, the solo part is immensely demanding and is kept in the upper clarino register throughout (up to g'''), which means that only a few horn players today can master it, even on the modern valve horn. But on the trumpet, however, these difficulties do not apply. This new edition by G. Henle Publishers

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