Liszt’s “Transcendental Studies” of 1852 are without doubt among the triumphs of virtuoso piano music, and their visionary language and poetic expression make them a milestone of the romantic age. This set of twelve études represents the results of the composer’s own revision of a collection already published in 1827 and 1839. Each of these pieces, including “Harmonies du soir” and “Mazeppa”, bears its own title and has entered the concert repertoire less as an étude than as a tone-poem.

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