This enchanting 8-minute piece for violin and piano – Oliver Knussen’s penultimate work – is made up of various kinds of musical reflection: melody reflected in its inversion; a six-note mode reflected in its complement; and the relationships between the three main parts of the piece, which are in a way varied reflections of each other. There are some reflections in water, too, the work’s opus number (31a) demonstrating a relationship to Knussen’s unfinished Cleveland Pictures:

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