Volume 9 completes the collection of Byrd's Latin sacred works from the late 1570s onwards preserved in manuscript alone. It includes Domine, exaudi orationem meam, which is published for the first time in fully reconstructed form. Philippe de Monte's partial Psalm 136 setting, Super flumina Babylonis, to which Byrd's Quomodo cantabimus was a musical response, features in the apappendices, together with the fragmentary Ad punctum in modico and a number of motets ascribed to the composer.

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