Bartók himself collected the material for Rumanian Dances in Transylvania at the beginning of the century; Transylvania is the place in which this folk-dance music is part of everyday life. When transcribing this work - which was originally composed for the piano - for two guitars, the publisher left Bartók's instructions (tempo, dynamics, staccato, tenuto, slurs) unchanged. This seemed to be indispensable to achieve a reproduction of the folk dances true to their character.

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