Composed in Morocco in 1951, the Second Piano Concerto has a distinctly American character. The last movement, ‘Real Fast!’, is a tour de force for soloist & orchestra, with jazz-like rhythms & an exhilarating conclusion. In his recent concertos such as the Cello Concerto of 2002, Rorem has abandoned the usual three-movement pattern. The composer has written: “Although I don’t believe that non-vocal music can be proven to ‘mean’ anything ... it’s still fun to give programmatic subtitles to vario

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