In Three Studies from Couperin, Thomas Ades empathetically reworks three pieces by the Baroque composer into music that is distinctively Ades without dismissing the source material. The basic structures of harmony and duration in 'Les Amusemens', 'Les Tours de Passe-passe', and 'L'Ame-en-Peine' remain unchanged, but the retouching of rhythm, texture and orchestral colours reveals an enthralling music that could be no other composer.

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